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The view spread to the horizon of mauve-pink sky, very faintly streaked with green. We could see the white mass of Secunderabad, a town of English barracks, at the foot of chaotic red-brown rocks, looking like the heaped-up ruins of some city of the Titans; and among trees shrouded in blue smoke, Hyderabad, conspicuous for its two mosquesthe tomb of the Empress and the Jumna Musjid, the mausoleum of the Nizams.Down in the streets the houses looked ghostly blue in the moonlight, the cross roads, lighted with the warmer glow of a few lamps in red paper shades, alternating with the black darkness, in which it was just possible to discern cows and goats lying on the ground.<024>このページの先頭です
ONE:As we go nearer, gothic towers are distinguishable among the buildingsfaint reminiscences of Chester, clumsily revived under the burning light of white Asia.
ONE:In the middle of a large garden outside the town was the visitors' bungalow, the divan, where the prince's prime minister received us, and made us welcome on behalf of his master. Hardly were we seated when in came the Rajah, driving two wonderful horses drawing a phaeton. Dressed in a long black coat over very narrow trousers of white muslin, Gohel Sheri Man Sinjhi wore a turban, slightly tilted from the left side, and made of hundreds of fine pale green cords rolled round[Pg 65] and round. The Prince of Morvi, and another of the Rajah's cousins, followed in perfectly appointed carriages, drawn by thoroughbreds. Last of all, carried by an attendant from her landau to the large reception-room where we sat gravely in a circle, came a little princess of seven years old, the Rajah's daughter. Enormous black eyes with dark blue lights, her tawny skin a foil to her jewels, and the gold and silver embroidery of a little violet velvet coat open over a long tunic of green silk, trousers of pink satin, and yellow leather slippers. A plum-coloured cap, worked with gold trefoils, was set very straight on her black hair; she wore, in her ears, slender rings of gold filigree, and had a nose-stud of a fine pearl set in gold. She stood between her father's knees, squeezing close up to him with downcast eyes, never daring to stir but when we seemed to be paying no heed to her.
ここから本文です
TWO:High in the air, in the first mausoleum, at the head and foot of the white marble cenotaph, covered with letters that look like creepers, are tablets bearing inscriptions which record the life of the hero; and above the sarcophagus rises an almost impossibly light and airy structurea canopy of white marble supported on columns as slender as flower-stems.The walls are covered with bas-reliefs carved in the rock, the roof adorned with architraves of stone in infinite repetition of the same designs. The stone is grey, varied here and there with broad, black stains, and in other spots yellowish, with pale gold lights. Some of the sculpture remains still intact. The marriage of Siva and Parvati; the bride very timid, very fragile, leaning on the arm of the gigantic god, whose great height is crowned with a monumental tiara. Trimurti, a divinity with three faces, calm, smiling, and fiercethe symbol of Siva, the creator, the god of mercy, and of wrath. In a shadowed corner an elephant's head stands outGanesa, the god of wisdom, in the midst of a circle of graceful, slender, life-like figures of women. Quite at the end of the hall, two caryatides, tall and elegant, suggest lilies turned to women. In the inner sanctuary, a small edifice, with thick stone walls pierced with tiny windows that admit but a dim light, stands the lingam, a cylinder of stone crowned with scarlet flowers that look like flames in the doubtful light; and in deeper darkness,[Pg 22] under a stone canopy, another such idol, hardly visible. The Brahman priests are constantly engaged in daubing all the statues of these divinities with fresh crimson paint, and the votaries of Siva have a spot of the same colour in the middle of the forehead. Two lions, rigid in a hieratic attitude, keep guard over the entrance to a second temple, a good deal smaller and open to the air, beyond a courtyard, and screened with an awning of creepers.

当社は昭和13年の設立以来、つねに時代のニーズに即した製品をめざし、新技術?新製品の開発を重ねてきました。 中でもアルコール蒸留技術は、国内業界のパイオニアとして目覚ましい成長発展を遂げ、80年にわたる実績を築きあげました。そして今、その歴史によって培われた経験と技術力は化学?食品?薬品?産業機械など、幅広い分野で生かされています。今後はさらに新時代に向けた技術革新を積極的に進めると同時に、新分野の開拓にも意欲的に取組み、一層の発展を図っていきます。

社名 日本化学機械製造株式会社
(英文名称 Japan Chemical Engineering & Machinery Co., Ltd.)
代表者 取締役会長 高橋 正一
取締役社長 髙橋 一雅
所在地

〈本社?工場〉

〒532-0031 
大阪市淀川区加島4丁目6番23号

営業部
TEL.06-6308-3885FAX.06-6306-2627
技術部?設計部?工事部
TEL.06-6308-3891FAX.06-6306-0136
総務部
TEL.06-6308-3881 (代表)FAX.06-6306-2384
調達部
TEL.06-6308-3910FAX.06-6306-2384
海外事業部
TEL.06-6308-3887FAX.06-6306-2384
低温機器事業部
TEL.06-6308-3889FAX.06-6308-3890
製造部
TEL.06-6308-3894FAX.06-6308-3767
品質保証室
TEL.06-6308-3880FAX.06-6308-3896
開発技術室
TEL.06-6308-3895FAX.06-6838-3092
〈東京支店〉

〒104-0031 
東京都中央区京橋1丁目6番12号(京橋イーサスビル5階)

TEL.03-3567-8101FAX.03-3567-8104

〈滋賀工場〉

〒520-3213 
滋賀県湖南市大池町7番地1

TEL.0748-75-2131FAX.0748-75-2134

〈南山田工場〉

〒520-3252 
滋賀県湖南市岩根字南山田1662番5

TEL.0748-72-3007FAX.0748-72-3008

設立 昭和13年10月31日
資本金 2億7千5百万円
事業内容 化学機械?化学装置、燃焼装置、超低温液化ガス機器の設計、製作、販売
当社の特色
■ 小回りのきく化学工場のプラント?エンジニアリングメーカー
化学装置の設計?機器の調達?製作?建設工事、試運転迄一貫して責任施工
■ 各種耐食材料の加工
ステンレス?銅?チタニウム?ニッケル?モネル?ハステロイなど
■ 高圧機器の製作
汽罐ならびに特殊汽罐認可工場(圧力10MPa迄)ボイラーならびに第一種圧力容器認可工場(圧力10MPa迄)
高圧ガス保安法(特定設備検査規則)に基づく各種圧力容器
■ 高真空?超低温機器の製作
1.3×10-3Pa、-268℃機器
■ 製缶加工?検査設備完備
製缶加工に必要な諸機械?自動溶接機をはじめ検査諸設備を完備しており、全作業を一貫して能率的に加工可能
従業員数 160人(2019年4月現在)
年間売上高 6,119百万円(2019年4月決算)
取引銀行 りそな銀行堂島支店  三井住友銀行十三支店  池田泉州銀行庄内支店 
関西みらい銀行十三支店  滋賀銀行新大阪支店  三菱UFJ銀行梅田中央支店
許可登録 特定建設業許可 国土交通大臣許可(特27)第5208号
一級建築士事務所 大阪府知事登録(ロ)第24084号
その他の認可?承認?認定の詳細はこちら
取得
マネジメント
システム
〈品質マネジメントシステム〉
認証規格
ISO 9001:2015 / JIS Q9001:2015
登録番号
99QR?154
〈環境マネジメントシステム〉
認証規格
エコアクション21:2017
登録番号
0002822
TWO:KOHAT

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At an angle of the stairs of violet-tinted stone, which lead to the summit of the hill, a tablet of green marble, engraved in flowing Arabic characters, remains uninjured, the record of the great deeds of some emperor of Golconda.As we passed the sacred tanks, where a smell of decay filled the air that still rang with the cries of the bats, our horses suddenly shied and refused to go forward, terror-stricken by some invisible danger suggested to them by that reiterated shriek or the corpse-like smell. A very long minute passed as we sat in the carriage, a minute of dread that left us quite excited by this mysterious peril of which we had somehow felt the awe. Nor was it till we had left the great trees by the tanks behind us that the impression wore off under the comforting light of the stars.The bridegroom sits awaiting his guests, in his garden all decorated with arches and arbours, and[Pg 14] starred with white lanterns. An orchestra is playing, hidden in a shrubbery.
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